I paint as an exploration into the unknown
with no idea of what is to come. With my dance background, I use bush-like
movements of dance to create a beginning movement and very visceral expression
of design, which comes from the body and the unconscious.
From there I begin to receive and pass it on to canvas - I just paint - I let it
come through. Later, I step back and look at it to see what
the ‘child’ has done and where 'mommy' needs to clean it up a bit, according
to the principles of design and composition and the craft of painting.
That opens up to me something that knows
more than this so-called conscious self and gets me to move something through
from underneath – the deeper layers, as if I’m a more or less an empty vehicle. If
I am lucky, I try my best to catch its drift.
I work in layers and with luminosity,
keeping areas open and clean, letting an inner light come through from inside.
At some point there is a constellation and something appears and clicks into
place. It is not anything I try to do but the surprise of seeing it and the
feel of complete balanced work is satisfying.
But it is not too literal - this flow allows
the viewer to often see many things, different things - different views as
if the painting were alive. It does live, I hope.
I find this work speaks of the emptiness and
paradoxical nature of being: flying, within and without and the energy within could
propel you away as if on a magic carpet; but it’s also grounded and humble, keeping the earth, water and sky
relationship of the human being’s perspective.
I paint to relax and to balance myself, I go
walking in nature, I dance, meditate, do yoga, read, and have a good time with
friends! I have a rescued dog, Cody, an Anatolian femals shepherd; a seventeen
year old kitty and a bunny, all of whom inspire me daily. I am also inspired by
nature, and from the emotional stories I receive, from dreams and spiritual
realizations, but none of it is literally painted.
For example, when I went to the Caribbean, I
didn’t paint while there but when I returned I found myself painting with those blues
and washed out highly saturated colors, which have become something people associate
a lot with my work.
When I have had amazing deep dreams, people
say I should 'paint them' but that’s impossible. But years later I find images of those dreams
creeping into my current artwork! It
must have taken that long to fully process and release back into the consciousness - bring back to earth. That is fun part, when they just show up on their
own.
To see more of Amy’s work, please visit her
website at www.amberblue.org. Her work can also be
seen at the Foundry Gallery, www.foundrygallery.org, the Art League ofthe Torpedo Factory, VA; the MFA (Maryland Federation of Art) at CircleGallery, Annapolis, Maryland, and by appointment at her studio in Bethesda, Maryland. You
can also find her on Facebook at Amberblue Galleries.
This is Week 18 of 52 Artists in 52 Weeks.
Thank you for reading and sharing Amy’s work today!
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