I love metal. I love the feel of it, the smell of it, and I
love playing with fire. Let’s face it there is a little pyro in all of us… or
at least that is what I tell my students. I started in my 20’s while getting my
fine art degree back in college. Totally obsessed with what the metal does, how
it forms and how you can make it be expressive, I recognized early on that my
particular “wearable art” would take on a story telling nature. Now in my 50’s
I still can’t escape that tendency of telling stories with my work.
My primary focus now is in the development of other artists
through my studios, SilverWorks and SilverWorks Studio 2: Hot Metal in Glen
Echo MD. I am lucky to have landed a permanent artist residency at the
historical Glen Echo Park, a truly unique community of artists nestled in a
national park. It is there where I spend most of my time teaching and
developing classes in the metal arts. Having run the gamut of doing juried
shows all over the country as well as having over thirty galleries represent my
work, I now have the luxury of choosing to create a single themed one-of-a-kind
collection each year and then spend the rest of my time igniting the fire in
others.
More Out of Life |
My husband Bryan calls me a drug dealer for a reason. My
true joy is getting people addicted to the art form.
Wings |
But it wasn’t always the case. Doing the juried shows seemed
sexy at first. There is a great rush when you get in, and when galleries take
on your work, but I think the nature and personality of an artist struggles to
find a balance of life and work and also that sweet spot where your work
unfolds unhindered. About 17 years into my journey I found that I had begun to
do more mass production than one-of-a-kind. It’s what my husband later dubbed
the “twenty dollar earring syndrome”. Catering to the masses for the sake of a
living watered down the true work I was doing in the beginning. That and a
really bad deal with an unscrupulous gallery turned the creative faucet off.
10Chain |
So I quit. I went on to do other art forms and started an online visual arts gallery with some digital
work. It flourished.
Taquila |
Then the market crashed. But I think most artists are a
resourceful lot and in an act of desperation due to some mounting debt I
decided to go back to my first love.
SilverWorks
was born. In November 2009 I opened the tiny little studio hoping against hope
that I could attract enough students to make a go of it as well as go back to
doing my one-of-a-kind work without compromising the art. I had my first solo
show after coming back to the art form, the creative juices were flowing again!
Since that opening I have had a show each year that focuses the work on a theme
that ultimately teases out more stories while continuing to expand the work.
The organic nature of the growth of my little studio from a few beginning
classes to what it is today has also enabled me to look forward to another big
horizon type dream project that my husband and I began a few years ago, again
with the focus of empowering other artists. It is an artist retreat and
residency program called Exnihilo.
Paleo |
This is Week 13 of 52 Artists in 52 Weeks. Thank you for
reading and sharing Blair’s story today. To contact Blair and see more of her
work, please email her at blair@silverworksglenechopark.com.
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