I have lived in
Paducah, Kentucky, at the confluence of the Ohio and Tennessee Rivers for ten
years, where there is a thriving arts and music scene. I have always had an affinity
for moving water; ocean or river.
I watch my
granddaughter several days a week, and this past summer we would walk to the
Ohio River and gather stones and shells from the river’s edge. Throwing them
back into the river is an activity she enjoys, and she always asks to go down to
the river. We often watch the barges pass
by, and I delight in how the movement of the water fascinates her. We enjoy
just being there, together.
This piece of
jewelry represents fond memories of this past summer at the river.
Nu gold base, copper and sterling 34mm x 58mm |
The textured brass
element at the top of the broach represents part of Illinois. Below it is the Ohio River, which flows right to left, with
the Tennessee entering from the right (by Livingston Point). The silver element at the bottom is Paducah,
right tight to the banks of the Ohio. Interestingly, the Ohio flows in a northerly direction as it passes by Paducah, before it turns south to meet the Mississippi.
My background in
making jewelry began at a very young age when my mother, who had an elementary
knowledge of the process, first showed me how to make a particular chain
pattern. Formally known as a Byzantine weave, it is commonly called a box
chain, or idiot’s chain. Individual jump rings are cut from a wound coil of
silver wire and then assembled, following a pattern consisting of eight pairs
of rings. It takes almost 50 feet of wire to cut approximately 700 rings. Once
assembled, it makes an 18 inch chain which weighs just under 2 ounces.
Sterling Silver Byzantine Weave Necklace |
Over the years I
taught myself how to fabricate more complicated pieces, learning new
construction methods and refining my finishing techniques. By my late teens I
was making rings, bracelets and earrings for friends and friends of friends. In
my 20’s I was doing flea markets and craft shows. I got married, started doing
juried shows, quit my day job and started traveling the Northeast doing bigger
and better shows. We lived on a farm in New Hampshire, had a couple of
children, and we got by.
The following three pieces were from that period. The
chased and repousse box cover represents the landscape of southern New Hampshire,
where I grew up.
.
In 1980 the Hunt
Brothers gained controlled of about 75% of the silver commodities market, and
the price of silver shot up to almost $50 an ounce, from around $8 per ounce.
Needless to say that pulled the rug out from under our operation, and it
happened at a time of the year when most crafts people make the money they live
on during the winter until the spring season starts. We packed up and moved to
New Jersey where there was more opportunity.
Tube is 30mm long |
.
I ended up getting a
job in a well-known local restaurant, finding that I liked the work and that I
had a knack for it. Within ten years I was running my own kitchen at a 200-year-old
local inn with two outlets; one fine dining and the other casual.
Twelve years
in New Jersey plus one more child led to seven years in Phoenix, AZ. There I
worked at The Phoenician Resort, a top 50 in the world destination resort. Then
came five years as the chef of Sir Winston’s Restaurant aboard the RMS Queen
Mary, permanently docked in Long Beach, California.
With the children
now out on their own, we made the move to Paducah to be part of the local arts
community. As part of a city-sponsored program, we acquired a historic house,
renovated it and opened a café/catering operation, complete with a gift shop.
Food and jewelry had combined and all was well for a while. However, changes
happen and lives take different paths. Not everything is meant to be. Food and
jewelry got left behind as I took on a full time job.
A few years later I
retired. With extra time on my hands, I signed up for the jewelry/metals class offered
at The Paducah School of Art and Design.
The classes have given me a chance to better understand what I had been doing,
as well as teaching me new methods and techniques.
Throughout my life, balance and harmony has been where I find peace. However elusive it might be, or even
absent altogether at times, I keep trying. Working in metals has always seemed
to be a part of that process. Interestingly enough, I am once again working in
a restaurant. It all feels good together, here by the river.
This is Week 14 of 52 Artists in 52 Weeks. Thank you for reading and sharing Bernie's story today! To see more of Bernie's work, you can reach him at berniehebert49@gmail.com.
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