My sculptor’s career
was informed by a career as architect at NASA's Goddard Space Flight
Center. I had continued exposure to near
and deep space images as well as a bit of quantum physics, which are all
powerful influences on my work. My
fascination with glass, resin, and degrees of transparency is sparked by
observations of apparent/outer forms and inner/subtle forms that are revealed
by the telescope and microscope. As a
layperson, I can both celebrate the frontiers of science and take poetic license
with scientific theory in the creation of sculptural experience.
Pilgrim’s Quandary, Glass & Stainless Steel, 210 x 120 x 48”
I was born and raised
in the Bronx. My formal fine arts education began in New York's High School of
Music and Art, followed by undergraduate studies in Fine Arts at Hunter
College. After teaching Fine Arts in a
South Bronx Junior High School, and a year of travel, I settled in Boulder,
Colorado, developing sculpture and jewelry of wood, stone, silver and deer
antler. While working at a local foundry, I was exposed to all phases of wax
modeling, bronze casting and finishing. I
worked as a carpenter, building homes, and later as a cabinetmaker for a
sailboat manufacturer, learning about finely crafted details.
Totem, Resin, Glass & Stainless Steel, 3 x 3 x 108”
At this time (1972) I
became a student of Yoga, and later a teacher and Director of the Boulder
Integral Yoga Institute. This pursuit was continued at the Satchidananda Ashram
in Connecticut. I made conceptual models for an ecumenical shrine, which focused
activities on architecture in later years.
A four-year graduate
program at the University Of Maryland School Of Architecture gave me a new
perspective in three-dimensional design. Before Master Planning at NASA, I worked
for many years as a Registered Architect and Project Manager in several area
firms. This ongoing education in
construction methods and materials, and my exposure to quantum physics and
Eastern metaphysics are a continuous source of rich subject matter over these
past fifteen years of exhibiting sculpture, and large public art.
Terra-M, Resin, Glass & Painted Steel, 24 x 48 x
96”
There is a moment in
the film, Powers of Ten*,
when the camera, as observer, zooms out to reveal the depths of the universe,
and zooms back in to the smallest sub-atomic stratum where, like the deep space
image a vast emptiness prevails with the most minimal suggestion of light and
movement. These notions that life on the
most grand and smallest scale may be as much about energy as matter and an
overwhelming sense of awe are the very underpinnings of my sculptural
endeavors. My fascination with macro and micro visualizations of our universe
and the oneness of our living planet as a self-contained universe are expressed
in my glass and steel sculptures, which range from 9” to 19’ high.
Wayfinder, Resin, Glass & Carbon Steel, 228 x 120 x 96”
Light is captured,
bent, magnified. Radiance becomes a part
of my palette, engaging the changing qualities of daylight to inform and enrich
these sculptures. I investigate forms
that express the nature of the seeker’s inner passage while capturing the
wonder of the explorer’s outward search to find meaning in the universe.
The Dance, Resin, Glass & Carbon Steel, 228 x 120 x 96”
This is Week 11 of 52 Artists in 52 Weeks. Thank you for reading and sharing Alan’s story today. To
connect with Alan and see more of his work, please visit the following links:
LinkedIn
Facebook
Website
Email
Website
*A Note from Alan: The “Powers
of Ten” 1968, is a film by Charles and Ray Eames which illustrates the scale of
the universe by factors of ten. The film begins with an overhead one square
meter view of a couple lying on a picnic blanket. The camera then zooms out to
encompass the entire observable universe; then reverses course, zooming back
into microscopic scale down to atom, proton, and finally quark.
you employ a fantastic blog here! do you want to cook some invite posts in my blog? putlocker
ReplyDeleteHave you noted that when you go and read the news online, and read through the various stories from the syndicated websites that they usually have a technology section, and that technology section is filled with the latest gadgets, social networking methods, and any of the newest things coming from Silicon Valley? I have, and as a lover of technology, and coordinator for a think tank, I am disturbed by all this. Now then let me explain what I mean. อนิเมะใหม่
ReplyDelete